THE SET | CAMERA | LIGHTING AND GRIP | SOUND | MAKE UP AND HAIR | FACILITIES | CREW
camrea
JVC GY-500 DV camera

 

  • Broadcast Quality JVC GY-500 DV camera with Fuginon 12/1 zoom.
    • Fluid Head Tripod Sachtler DV 4
    • Telephoto attachment
    • Filters
    • 10' NTSC monitors (2)
    • Sony wireless mike
    • Case, extra batteries

    Camera records on standard mini DV and rents for $100 per daY.

 

The Panasonic HVX 200 rents for $250 per day with a Sachler tripod. 8Gig P2 cards are $80 each.

HD PACKAGE PRICE: $425

  • Camara Panasonic HVX-200
  • Fluid Head Tripod Sachtler DV 4
  • 2 8gb p2 Cards
  • HD monitor Panasonic BT-LH80W (7.9" LCD) or
  • Panasonic HD 24"Production Monitor BT-LH2600W (see specs below)
  • Camera Case
  • 2 Batteries
  • Zoom & Focus Control

The new HVX 200 camcorder records DVCPRO50, DVCPROHD, and DV video to solid state P2 flash media cards at a 16:9 aspect ratio. The camcorder can also record a standard DV signal to MiniDV tapes. The AG-HVX200 features three 1/3 in. CCDs and can record 1080 lines of resolution high definition video at 60 frames per second interlaced, 30 frames per second progressive, as well as 24 frames progressive video. The camcorder can also shoot 720 lines of resolution high definition video as well as standard definition video.

Offering flexibility and versatility never before available to video professionals, the AG-HVX200 DVCPRO HD P2 hand-held camcorder provides 1080i and 720p recording with the production-proven image quality of 100 Mbps DVCPRO HD. The AG-HVX200 shoots on a P2 card in 1080/60i, 30p and 24p; in 720/60p, 30p and 24p; and in DVCPRO50, DVCPRO or DV," stated Panasonic's press release.

The AG-HDX200 has a 13x optical zoom controlled through a zoom ring, in addition to a focus ring. The new AG-HDX200 includes three 16:9 1/3 in. CCDs. The camcorder offers multiple levels of manual control including many of the film-like controls included in the AG-DVX1000. The camcorder includes both IEEE 1394 and USB 2.0 support for connecting the camcorder to a non-linear editing system.

While the AG-HDX200 can record standard DV video to a MiniDV tape, the big headline buzz about this new camcorder is its P2 solid state media recording options. The camcorder can record many flavors of DVCPRO video to the P2 card.

The AG-HVX200 includes a color viewfinder as well as a 3.5" LCD screen. Because of the non-linear nature of the P2 system, users can navigate the contents of a P2 card through a navigation system on the LCD screen.

For audio the AG-HVX200 includes two XLR inputs. The camcorder can record 4-channel non-compressed 48KHz/16-bit in DVCPRO and DVCPROHD. The camcorder also includes a headphone out jack.

Panasonic has also made the camcorder customizable, as they did on the AG-DVX100. The camcorder can have 6 custom user profiles for shooting settings and three custom buttons.

PANASONIC HD PRODUCTION 24" MONITOR BT-LH2600W

$250 PER DAY

• New! - True 16x9 format aspect ratio with 1366 x 768 resolution
• New! - Audio level meters superimposed and see through - up to eight channels from HD-SDI
• New! - Embedded audio capability now built-in as standard equipment
• New! - 80% of 4x3 safety marker can now be seen in 16x9 mode
• New! - "Pixel to Pixel" mode for 720 or 1080 HD signals for critical focusing
• New! - 26" diagonal yields four 13" pictures when used with a quad splitter
• Exclusive! - High-speed response -- no blurring during pans thanks to our overdrive circuit
• Exclusive! - Industry's lowest delay image processing circuit -- new I/P conversion algorithm converts interlaced signals to progressive signals with minimal delay
• Exclusive! - Waveform monitor -- a superimposed function that graphically displays luminance levels from -5 IRE to 108 IRE in any of the monitor's four corners
• Exclusive! - Freeze frame - frame grab for image comparison / analysis (entire frame or center)
• Exclusive! - Split screen function for critical color matching (live input vs. freeze frame)
• Two SD/HD-SDI auto sensing inputs with one active thru-out
• Frame marker lines (4:3, 16:9, 2.35:1) with side panel shading at 0%, 50%, or 100%
• Five function buttons (user-defined) can be set to WFM, Blue Only, H/V Delay, "Pixel to Pixel", Monochrome, Aspect ratio, Gamma select, Auto-setup, Scan, and 2/4/8 audio level meters
• Faithful color reproduction -- closely matches chromaticity of CRT monitors
• Diagonal Line Compensation smoothes out "jaggies" for improved SD response -- new algorithm reduces picture degradation to near zero in vertical direction, detects correlation of diagonal direction, and minimizes aliasing that causes degradation in the moving picture
• 176 degree horizontal and vertical viewing angle
• CineGammaTM compensation - expressly for VariCam FILM-REC monitoring
• One-piece design - no umbilical cord or separate AC power supply
• Component input on BNC connectors - Y, Pb, Pr, PC RGB inputs and composite & Y/C
• Amplified stereo speakers (two RCA pin jacks input or embedded audio on SD/HD-SDI included)
• Color temperature selection (D9300K / D6500K / D5600K / user adjustable)
• 2.35:1 anamorphic mode for viewing 16:9 cameras with anamorphic lens adapter
• GPI and RS-232C ports for external control
• Menu can be positioned in five different screen locations
• Menu control of built-in fan
• Preset/manual video control adjustments with indicator lights for non unity settings
• Three level tally lamp (red, green or amber)
• Desk stand included

 

   
   

 
eXTReMe Tracker

American Movie Company, 50 Broadway, Suite 1206 New York , NY 10004  212-219-1075 Fax 212-952-0152

Mobile 917-414-5489 Info@AmericanMovieCo.com Our stage is located at 40 West 27th Street 2nd floor, NY, NY